The approach to the house is…
The approach to the house is truly breathtaking and the views from the terrace towards the lake and beyond are equally spectacular. The perfect template of 'Capability' Brown' landscape sensibility and aristocratic architectural bravura.
The interiors are as sumptuous as you'd expect yet curiously sterile , jaded set pieces devoid of soul. On the other hand the Adam ceilings alone warrant a visit. Quite exquisite. The Gallery is certainly grandiose , but the Music Room is an inspirational treasure.
On the downside , however - the Epstein in the vestibule is grotesque, incongruous and quite hideous ; several fountains aren't operational and the modern statue on the parterre is crudely inappropriate (replacing the superb fountain that photographs confirm )
Several rooms are given over to contemporary art exhibitions that seriously detract from the elegance and general appointment of the house. They'd be better placed in a local library. I think a clearer focus is needed.
Moreover , the anti- slavery guilt complex could be dealt with more discreetly. Without a doubt the provenance of the family's wealth at that time is abhorrent but superimposing a 21st century morality upon 18th century sensibilities is crass, irresponsible and misleading.
The kitchens are superb I have to add , with a magnificent display of gleaming copperware .
The adjacent giftshop seems like a necessary add-on , however ; somehow disjointed and as overpriced and underwhelming as the terrace cafe. £8 for a small glass of prosecco is a bit rich.
It seems like the usual country house grudging sacred quartet : parking , cafe, toilets , gift shop.
The staff are welcoming and friendly enough but oddly lethargic and lacking conviction. Guardians rather than guides...I realize that they are volunteers but....know the basics without recourse to an ipad...
The entrance fee is rather on the firm side@ £27 but on the whole it's money well spent. Once.







