I use the interface as a keyboardist at live gigs in conjunction with a mini PC. I use the four inputs for comfortable in-ear monitoring (band mix + stereo microphone pair for Athmo). Phantom power wi... See more
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Audient is a UK-based manufacturer of professional audio equipment, founded in 1997 with a mission to deliver exceptional sound quality and intuitive design. Drawing on its heritage in high-end console engineering, Audient offers a range of audio interfaces, mixing consoles, and preamps built for both professional studios and home creators. Known for reliability, transparency, and innovation, Audient products help musicians, producers, and engineers achieve outstanding results. From music production to podcasts, Audient provides the tools to capture detail, inspire creativity, and makes getting studio quality results easier than ever.
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United Kingdom
- support@audient.com
- audient.com
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I did not use all the bells and whistles of my id48 yet, but I am very happy with it so far! Preamps are very clean sounding with lots of headroom. The AD/DA conversion is top notch
I bought a beautiful sound card ID 24…
I bought a beautiful sound card ID 24 and I'm really happy with my purchase. The only problem is the letters. Not very easy to see them in the software.
Great Experience but…
Amazing Preamps,
Crazy Headroom on the output
would love it if get a 2 XLR Combi inputs when it is a 2i2
rest amazing piece of gear
After setup on iPad II with GarageBand…
After setup on iPad II with GarageBand sporadically signal from micro or guitar was distored and had low level. No error message showed up.
Setting volume is a…
Id4 sounds good but setting volume is a pain - very low res indicators, endless encoder. On interface restart the volume is set back to zero. Simple act of knowing where I'm at with volume turns into endless fiddling. Unacceptable for any mixing experience. I ended up returning it.
Audient ID14 houses everything you need.…
Audient ID14 is recommended for anyone who searches a soundcart with studio quality pre-amps and a sturdy build. The instrument input delivers instantly great recordings. E.G. My Pbass with S.Duncan pick-ups-straight to input, inbuild preamp at 12 o çlock, ad one simple compressor (VST) just to tame the peaks slitly=done. Thanks to the Audient software package=not small it's huge, you are recording ready with the wonderfull Cubase&extra's. With the big knob you can adjust every parameter in Cubase&VST&VSTI-automation etc. A big hug to all the affiliated at Audient&software alliance.
I’m really glad I bought this product
I’m really glad I bought this product — it’s amazing and has truly exceeded my expectations.
The sound of the device is not good
The sound of the device is not good. it's very dark and misses presence.
Connection worked first try
Connection worked first try. I no longer need my mixer and it’s so convenient having control close by. The sound quality was very noticeable. Buy this interface.
Better sound
The sound is far better than other interfaces I've tried. The guitar is fuller, fatter, and I'm happy with it so far.
The audio interface is insanely good
The audio interface is insanely good, was easy to setup and overall quality is great!
There is only one thing that really annoy me:
I had an Evo 8 before this and the main volume of the speakers was controlled by Windows, I could then increase deacrese the volume through my keyboard, with the EVO 16, I have to turn the physical volume knob to 100 then dim the volume through Windows, this is a bit annoying to me.
Excellent work overall!
Great product
Great product, very clean preamps. Amazing for the price.
Thank you for the opportunity to…
Thank you for the opportunity to describe my user experience with the EVO 16 sound card.
I use it as my main sound card in my home studio and for field recordings of vocal ensembles.
Overall, I am very pleased with the card. It meets my requirements and matches the reviews I read about it online.
However, there are a few points I can suggest for improvement, especially compared to my previous Roland Octa Capture sound card, which was released more than a decade ago.
In EVO 16:
1. You cannot activate Smartgain from the software on your computer. This is important in field recordings where the card is not next to you. (Roland does).
2. The software does not have numerical values for faders and Knobs such as Pan, Volume, and Gain. Nor can you tap and write the numerical values in them. This makes it difficult to adjust these values and compare the different buttons. This really bothers me, especially since this feature has been present in DAW and sound card software for many years. (Roland does).
3. The card's display is not bright enough. It is very small and not readable from a high angle. To read the display, you have to get close to it at least 12". (The Roland display is about twice as large and displays much more information: eight items of information for each channel, compared to only Gain on the EVO).
4. The volume of the Main Out and Headphones is weak (about half of the Roland).
ID14
I honestly think my ID14 is the best you can get for the money. Preamps are real console-grade quality.
Easy setup and good software
The setup is very easy. The auto level function is perfect. I use a Windows 11 ARM64 laptop and the software works without any problems. Tried other interfaces before, this one is the best and easiest in that price range.
Simple and really nice
It's mostly really great and i love my ID4. It's simple and does everything i need. The quality feels good too, but i do have some issues with the headphone plug in the front, that sits a bit too loose and sometimes needs a bit of a wiggle to have sound on both ears. It's not a big issue but it happens.
Your mixer doesn't work on windows
Your mixer doesn't work on windows. I have a legal Windows copy and your mixer will not install properly on it, only opens in the task manger and won't do anything. Your interface is useless to me without the mixer, and you haven't even answer my emails.
Thanks to you, I now have an 8 channel brick laying on my desk. YOU SUCK!

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